How are the activities of teaching and curation similar? How are they different?

How can digital humanists be persuaded to show the public face of their teaching more effectively? Why doesn't a field that combines curation, teaching, scholarship, and communication with the broader public do a better job presenting the artifacts and interactions of their labor? Are portfolios just for students? (Kathleen Yancey 1 and 2)

Why do digital humanists involved in new forms of instruction choose to present their teaching like this?

What genres aren't rewarded according to this recent Mellon report? (Blogging, online curation, etc.)

The genre of the teaching portfolio

What can be in an electronic teaching portfolio?

What else could be in a teaching portfolio, if it is either not online or password protected? (FERPA is complicated, so err on the site of caution)

How is this a rhetorical document? This vs. this!

The problems with prezi

Coherent HTML pages vs. blog software with pdfs

And what else?

Artists as mentors and the work of Garnet Hertz

The studio/laboratory model at ICE

Not just for job-seekers! Cheryl Ball's tenure review file about "Teaching & Selected Artifacts" or Kathleen Fitzpatrick's essayistic approach

Think about how someone who doesn't use these tools might receive it. Consider multiple formats or a booklet that condenses the information.